Saturday 30 October 2010

The first month back at university is now over, we have had a tutorial, in which I was told to define the different components of my question, which at the moment stands at:

How can traditional crafting skills survive in the digital age?

Through the tutorial, the peer-to-peer feedback and my research I have looked at the possibility of changing my question to:

How can an appreciation of craft skills become the new social network?

I feel the importance of community, interaction, learning and gaining confidence has meant my question has evolved again.  I want my kits to encourage this kind of interaction between families and friends.  I want to take advantage of the current climate, the trend towards being thrifty, creative, need for personal face-to--face interaction.  I have also been thinking about recycling and re-using, and how this element can be incorporated into my project.  

I will need to research consumer needs and wants to really produce a kit that resonates with people.  

During our Wednesday evenings we have also explored 'Brand Me vs. the Reflective Practitioner'.  My thoughts are that life is about changes, you have to change, get feedback and evolve to survive.  I feel it is very important to be authentic and understand what your core values are.  This MADS journey is re-confirming these beliefs.  

My core values have led me to push my question towards bringing families and friends together in a creative way, in a hope that they utilise the age-old practice of storytelling.  Through the workshops I have attended and the designers I have met researching for my MADS question I have experienced first-hand wonderful stories about how and why people have got involved in different pursuits and what they have learnt. 

We have been asked to consider where this mastery will position us at the conclusion of the course.  This needs to be totally aligned and in sync with our core values to ensure our project take us where we want to be.  Below is a graphical representation of my 'IF'.


My research this month has looked into the words that people associate with crafts and I hope that my project will create like, exclusive, valuable, desirable.  From a craft council research paper I noted some key motivations of buying craft:

"Beautiful objects appeal to me"
"Craft makes a unique gift"
"I admire the human skill involved"
"I want to keep craft alive"
"I like to have beautiful objects in my home"
"It means I own something nobody else has"

I would like people to feel that they too can create items that they feel this way about.  The same report also discussed the increasing priorities for consumers.  Firstly reducing wasteful consumption, this is something I am also very passionate about, and through this month I have been thinking more about how I can incorporate it into my project.  Therefore I hope that I can use the re-use and recycle element in my project by including getting people to use things around the house they no longer need.  I was thinking the 'kits' I design could include a list of things to scavenger, instructions and then a few elements, probably the newer materials, and that the combination of these can lead groups to communicate and create together. 


The second priority for consumers is that they are looking for more personal, unique and ethical routes for consuming objects.  This obviously aligns with my make-it-yourself and customise it ideas.  

Practical skills give consumers a sense of control, achievement and resourcefulness, and this will encourage a trend for participating in craft.  There has been an increase in the popularity of craft activities at festivals, workshops and make-your-kits developed by designer makers.  This ties in with my project in that my first idea, the LED light was designed to be used at festivals and parties, allowing people to make with friends, encourage people to come together, and customise.  

So at the end of this month I see my project being about a variety of crafting skills, survival (passing down information, relationships and communication), and the environment (reuse, recycle).  





Wednesday 27 October 2010

LED Light Diffusing Plastic

At the moment this type of plastic is used in car control displays, I wonder if I can come up with a new inventive use for it....

Monday 25 October 2010

When Love Comes

For our second film of this year's film festival we began our evening in the wonderful japanese restaurant on Leather Lane. The film was Taiwanese family drama, it was low-budget and we followed the lives of four women, through to a very emotional conclusion. This film was quirky and funny, as well as incredibly dark at times.

Thursday 21 October 2010

Home for Christmas



Tonight we saw Norwegian veteran Bent Hamer's film, Hjem Til Jul, it looks at fractured families at Christmastime. As with his earlier work, the film shuttles smartly between serious drama and the gently absurdist comedy Hamer is known for. I absolutely loved this, it was beautiful, emotional and funny. Definitely recommend it.

The image I have chosen was from a very moving scene, the church itself was not merely a back drop, Bent told us after the film the history of this church, and it was a very painful one.

Friday 15 October 2010

"Radiant Light Film is a multi-layer reflective film. The material is a combination of precise layers of polymer materials with different reflective qualities. Colours shift and shimmer with changes in viewing angle, light source and environment. It can be used for a multitude of decorative and technical applications for designers, packaging engineers, architectural displays and product engineers. The film can be embossed, die-cut, sheer slit, precision cut, surface treated, dyed, coated with adhesive and printed. It is engineered to obtain unprecedented levels of reflective vibrancy. Radiant Films can be combined with suitable colour substrates to produce various vibrant colours in both reflection and transmission."

Tuesday 12 October 2010

I have been thinking more and more about the social aspect, the new social network that is crafting etc, the key themes for me are:

- Community
- Interaction
- Learning
- Confidence

In the current financial climate, people feel the need to be thrifty, creative, and are looking for personal, face-to-face interaction.

Can my artefact be developed into something people create together, perhaps from a kit or instructions online?

Sunday 10 October 2010

Flexible Molded LEDs

I have found another LED material, that looks like neon, but it is flexible and durable silicone...


Wednesday 6 October 2010

Today was the first week back after the long summer break.

Feedback from tutorial:

- define the elements of my question
- craft lists to create the product
- questionnaire
- have some skills really been lost?
- investigate the crafting movement further
- investigate the revolt again technology
- research into the awareness of craft skills

How can craft skills survive in a constantly changing technological environment?

How the appreciation of craft skills become the new social network?

Monday 4 October 2010

I now have a sample of LED tape and lots of helpful responses from suppliers. They even sent me a power supply.

The sketch modelling I did was useful and I have found the LED is infact extremely flexible.

Sunday 3 October 2010




Return from summer checklist is completed, I am ready for Wednesday, slightly daunted by the exhibition on 20th especially considering I will be on holiday th whole week before.

Sketches are on the computer now, with a layout containing how my idea has evolved. I have taken photos of my models, and the question at the moment is:

How can we mix new technologies and anciet crafting skills to create designs that arouse the ever-more demanding customer?

Priorities


Create further iteration of artefact using actual LED tape, that functions. Then test with an external party, I have been given a contact at iGuzzini.

Saturday 2 October 2010

Exposed

A slightly awkward start to the morning, but we did eventually get our tickets and make our way to the 4th floor of the Tate Modern to see Exposed - Voyeurism, Surveillance and the Camera.



This exhibition was absolutely fascinating, it attempted to unravel our relationship our relationships with cameras. The first room disaplayed large modern photos of people caught unawares in New York by Philip-Lorca diCorcia alongside tiny old photographs from Horace Engle, who captured his subjects sitting on the trams during the late 1800s at a time when unposed scenes were far from the norm.

I also loved the photos taken through windows, the photographer wrote to the participants and asked them to appear at their window at a certain time on a certain day if they agreed to take part in the project.

Friday 1 October 2010

"JRC Reflex produces stretch, retroreflective textile trimmings using a Micro glass beads technology. It is the glass microspheres embedded in a polyurethane layer that reflect light back to its source. There is a range of textile trimmings, in any colour, were visibility meets high safety requirements or produces flashy stylistic effects. It can be applied in multiple techniques: heat bonding, hot melt, etc." 




I have collected up the ribbon that they use in packaging, its a type of woven plastic strip and I think it has the same kind of feel as what the LED tape might be like. So I have tried the idea of weaving a shade and kintting a torch, where the woven structure itself would emit light.